The Sequenza series is regarded as one of the most important cycles of the 20th century. In this series Berio discovers the capabilities of an instrument and its. Sequenza I is a composition written in by Luciano Berio for the flutist Severino Gazzelloni. “Rhythm and Timing in the Two Versions of Sequenza I for Flute Solo: Psychological and Musical Differences in Performance” by Cynthia Folio. November Berio’s Sequenza I has been a part of the modern flutist’s cannon ever since it’s publication in by Zerboni in Milan. The.

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It’s interesting in this video the point of view of Pahud, sequsnza he played for Berio itself, and as Pahud said, Berio wasn’t happy with his interpretation, but this make a completely different point of view from him Pahud and that’s why these is one of the most interesant videos of all bunch.

Genre Chamber Music Classical. Add review Your review will be posted on our website once verified. One of the really big challenges on flute is to play the Berio Sequenza.

Sequenza I – Wikipedia

And of course, not too much people have the possibility of take a Berio’s sequenza masterclass every day. The melodic and harmonic content of Sequenza I grew out of Berio’s serial-influenced language, resulting in a highly controlled employment of pitch.

Masterclasses Learn hands-on advice on technique, sound and musical interpretation – exemplified through masterclasses of some of the most important and beautiful works. The actual realization of such guidelines is left to the player in such a way that specific elements in the score will vary with wequenza performer and each performance.

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Sequenza I, for flute

This videos, the service, the quality, everything is perfect!! Sexy Trippy All Moods. AllMusic relies heavily on JavaScript. AllMusic Featured Composition Noteworthy. Lifetime access Stream on any device Watch offline.

Jazz Latin New Age. Get more for your money. The pitch materials of Sequenza I are initially simple, consisting primarily of descending chromatic scale passages that incorporate octave displacement and rhythmic ambiguity.

From A to Z, Vol. Works for Flute Solo. Name Review Rating 5 4 3 2 1. Luciano Berio’s Sequenza I for flute is an example of a partially indeterminate musical form. Romantic Evening Sex All Themes. Sustained pitches are set against fast passagework, wequenza is set against low, aggressive against introspective: The symmetrical chromatic scale gives way to more beril collections of notes; these more complex gestures are incorporated into the work in a way that provides the impression whole blocks of notes in counterpoint with other blocks.

Sequenza I was written for the flutist Severino Gazzelloniwho premiered the work at Darmstadt in Learn hands-on advice on technique, sound and musical interpretation – exemplified through masterclasses of some of the most important and beautiful works. This kind bfrio “open” structure allows for flexibility within fflute otherwise rigorous form. This is one of the most difficult pieces for flute.

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Spontaneity in performance, then, comes from seqkenza moment-to-moment adjustments of rhythm and performance gesture called for by Berio’s suggestive–rather than prescriptive–notation. Flute Visions of the 20th Century.

Share on facebook twitter tumblr. Rainy Day Relaxation Road Trip. Don’t have an account? Like Berio’s successive solo works–and apart from certain rhetorical-historical commentary that may be present in these–Sequenza I embodies a quest for counterpoint and harmony through the means of a single melodic line. Streams Videos All Posts. Quality excellent, and I want to point the great attention that I had from the staff. Sequenzas; Due Pezzi; Musica Leggera; etc.

Please enable JavaScript in your browser to use the site fully. Drinking Hanging Out In Love. Berio notated the piece so that an individual staff line has a fixed duration, while the durations of individual notes are indicated proportionately–that is, a small distance sequsnza one note and the next denotes a short duration, whereas a greater distance denotes a longer duration.

Introspection Late Night Partying. This juxtaposition of regulated versus improvisatory musical materials, however, was sdquenza the main impetus behind Sequenza I.

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